Tom Rutter, Early Modern Literary Studies, Vol.19 no.2 (2017) “Eva Griffith’s book, which complements her previously published research on the [Red Bull] playhouse… should be a vital starting point for anyone working on the Red Bull and on the Queen’s Men, who performed there until 1619.…Griffith displays a willingness to revise and complicate existing narratives about theatrical history, often through a return to (or discovery of) archival material, that is typical of this valuable book.”